Tag: Review
Femme Filmmakers Festival Review: Sister Wives (Louisa Connolly-Burnham)
Louisa Connolly Burnham’s 2024 short Sister Wives opens with a long close up panning shot of lead Kaidence’s tightly plaited hair. The camera slowly follows…
Humanist Vampire Seeking Consenting Suicidal Person – a Taste of Bloodletting
Is there a journalistically appropriate way to say I love this film and it was very sweet of Ariane Louis-Seize to make it for me?…
Femme Filmmakers Festival Review: Fifty-Four Days (Cat White, Phoebe Torrance)
Fifty-Four Days is a short film co-directed by Phoebe Torrance and Cat White (who also wrote the script). Coincidentally, this is the second film in…
Femme Filmmakers Festival Review: Happy Snaps (Tyro Heath)
Happy Snaps is a short submitted by Tyro Heath, funded by the BFI network. The film follows two young boys, Gabriel (Osian Pirotte) and Sami…
Femme Filmmakers Festival Review: Magpie (Erin Curran, Megan McDonagh)
Magpie, a 13-minute short film directed by Erin Curran and Megan McDonagh, crafts a poignant narrative, that beautifully captures the bittersweet intricacies of familial love…
Trouble Every Day: the Space Between Kiss and Bite
The first time I watched Claire Denis’ Trouble Every Day, I hadn’t read its synopsis. It was a film I’d sought out entirely based on…
Femme Filmmakers Festival Review: Distance (Jennifer Williams)
I did a bit of investigative journalism whilst rewatching the short film Distance (perhaps on the verge of internet stalking?). Anyway, I discovered that Distance…
Femme Filmmakers Festival Review: My Sister is Dead (Nimra Munawar)
The idea of two sisters arguing, despite one of them being dead, should hold a lot of promise. However, the opportunity is somewhat lost in My…
Femme Filmmakers Festival Profile and Opinion: A Bed of Foxgloves (Holly Joyce)
Profile A born creative, Holly Joyce has worked for twenty years as an actor, script consultant, theatre director, producer, and performance coach. After being asked…
Femme Filmmakers Festival Profile and Opinion: Scarlet Silence (Zen Nguyen)
Profile As a Vietnamese female director with a passion for art and psychology, “Scarlet Silence” represents the culmination of my creative vision. This film explores…
Femme Filmmakers Festival Review: Nice Package (Fran St Clair)
Nice Package, a whimsical short film written and directed by Fran St Clair, is a delightful romp through the world of romantic comedies. Cleverly distilled…
Femme Filmmakers Festival Review: Lusthouse (Neeraja Raj)
Lusthouse, a whimsical short film written and produced by Neeraja Raj, offers a vibrant and playful exploration of youthful infatuation, cleverly wrapping its comedic narrative…
Femme Filmmakers Festival Review: Don’t Be Rude (Jessica Hof)
Cassidy is a backpacker getting through a day of door-to-door sales in Toronto. At a time when three other women have gone missing. When she…
Femme Filmmakers Festival Review: Daughters (Natalie Rae, Angela Patton)
Films navigating the often-complex dynamics that frequently shape father-daughter relationships are not a new concept. But Natalie Rae and Angela Patton’s 2024 documentary film, Daughters,…
Femme Filmmakers Festival Review: Le Bonheur (Agnes Varda) – a Floral Horror Film
The film is titled Le Bonheur or ‘Happiness’ in translation, and it’s filled with exactly that. In fact, as far as I recall, there’s only…
Femme Filmmakers Festival Review: News From Home (Chantal Akerman)
“With me, you see the time pass. And feel it pass.” Time is something we feel, observe, experience. It’s also something we cannot truly know,…
Femme Filmmakers Festival Review: Topos: a poetic documentary (Issabella Orlando)
Topos: A Poetic Documentary, written and directed by Issabella Orlando, is a visually evocative and deeply reflective five-minute short film. It delicately balances themes of…
Femme Filmmakers Festival Review: The Ceiling (Louisa Connolly-Burnham)
Outstanding in its realistic and hugely engaging story-telling, The Ceiling takes a clever look at the idea of consent. Taking place the morning after a night together,…
Femme Filmmakers Festival Review: Body Heat (Andra Smileanschi)
Body Heat is an abstract and poetic short piece that touches on themes of vulnerability and surrender to human contact. The luscious visuals are a montage…
Femme Filmmakers Festival Profile and Opinion: Bi-Nocular Panic (Anouk Witkowska Hiffler)
Profile Anouk Witkowska Hiffler is a French-German filmmaker from Paris. She moved to London in 2020 and graduated from the University of Westminster Film BA…
Femme Filmmakers Festival Review: When Winter Comes (Yuan Yuan)
Shot in New York and funded by the Spike Lee Fund When Winter Comes was directed by Chinese filmmaker Yuan Yuan. It is a film…
Femme Filmmakers Festival Profile and Opinion: Tragedy Babes (Christa Haley)
Profile Christa Haley is a filmmaker based in New York City. She grew up in rural northern New York, where her grandfather’s love for making…
Femme Filmmakers Festival Review: Pink Eye (Gabriela Routledge)
The extensive addition of student films to this year’s edition of the Femme Filmmakers Festival was certain to add a kind of rawness and nuance…
10th Femme Filmmakers Festival Review: Why Does ‘Past Lives’ Feel like That?
It’s hard to believe Past Lives is Celine Song’s debut film, but here we are. Before watching, I decided to revisit some of the initial…


































