Tag: film festivals
Femme Filmmakers Festival Review: Sister Wives (Louisa Connolly-Burnham)
Louisa Connolly Burnham’s 2024 short Sister Wives opens with a long close up panning shot of lead Kaidence’s tightly plaited hair. The camera slowly follows…
Humanist Vampire Seeking Consenting Suicidal Person – a Taste of Bloodletting
Is there a journalistically appropriate way to say I love this film and it was very sweet of Ariane Louis-Seize to make it for me?…
Femme Filmmakers Festival Interview: Issabella Orlando on her Poetic Documentary Topos
Speaking to director Issabella Orlando, Filmotomy got the chance to discuss her entry to the Festival, Topos. This poetic documentary is awash with heritage, history…
Femme Filmmakers Festival Review: Fifty-Four Days (Cat White, Phoebe Torrance)
Fifty-Four Days is a short film co-directed by Phoebe Torrance and Cat White (who also wrote the script). Coincidentally, this is the second film in…
Femme Filmmakers Festival Interview: Misha Hassan on Awaaz Oonchi Karo (Louder)
In this interview, Filmotomy got the chance to talk to up-and-coming director Misha Hassan. We discuss her entry into this year’s Festival, Awaaz Oonchi Karo…
Femme Filmmakers Festival Review: Happy Snaps (Tyro Heath)
Happy Snaps is a short submitted by Tyro Heath, funded by the BFI network. The film follows two young boys, Gabriel (Osian Pirotte) and Sami…
Femme Filmmakers Festival Review: Le Bonheur (Agnes Varda) – a Floral Horror Film
The film is titled Le Bonheur or ‘Happiness’ in translation, and it’s filled with exactly that. In fact, as far as I recall, there’s only…
Femme Filmmakers Festival Review: News From Home (Chantal Akerman)
“With me, you see the time pass. And feel it pass.” Time is something we feel, observe, experience. It’s also something we cannot truly know,…
Femme Filmmakers Festival Review: Topos: a poetic documentary (Issabella Orlando)
Topos: A Poetic Documentary, written and directed by Issabella Orlando, is a visually evocative and deeply reflective five-minute short film. It delicately balances themes of…
Femme Filmmakers Festival Review: The Ceiling (Louisa Connolly-Burnham)
Outstanding in its realistic and hugely engaging story-telling, The Ceiling takes a clever look at the idea of consent. Taking place the morning after a night together,…
Femme Filmmakers Festival Review: Body Heat (Andra Smileanschi)
Body Heat is an abstract and poetic short piece that touches on themes of vulnerability and surrender to human contact. The luscious visuals are a montage…
Femme Filmmakers Festival Profile and Opinion: Bi-Nocular Panic (Anouk Witkowska Hiffler)
Profile Anouk Witkowska Hiffler is a French-German filmmaker from Paris. She moved to London in 2020 and graduated from the University of Westminster Film BA…
Femme Filmmakers Festival Review: When Winter Comes (Yuan Yuan)
Shot in New York and funded by the Spike Lee Fund When Winter Comes was directed by Chinese filmmaker Yuan Yuan. It is a film…
Femme Filmmakers Festival Interview with Morgan Gruer on her new Short Film ‘Fire At Will’
I had the pleasure of sitting down with Morgan Gruer, writer and director of Fire At Will, a witty family drama featured in this year’s…
Femme Filmmakers Festival Profile and Opinion: Tragedy Babes (Christa Haley)
Profile Christa Haley is a filmmaker based in New York City. She grew up in rural northern New York, where her grandfather’s love for making…
Femme Filmmakers Festival Review: Pink Eye (Gabriela Routledge)
The extensive addition of student films to this year’s edition of the Femme Filmmakers Festival was certain to add a kind of rawness and nuance…
10th Femme Filmmakers Festival Review: Why Does ‘Past Lives’ Feel like That?
It’s hard to believe Past Lives is Celine Song’s debut film, but here we are. Before watching, I decided to revisit some of the initial…
Book Now: 10th Femme Filmmakers Festival Short Film Online Screenings
We are now well and truly in September, the month of the 10th Femme Filmmakers Festival. If you have not registered your place on one…




























