Motherhood is an oft-explored topic in filmmaking. But Zoe Ellender manages to secure her place in this category with a worthy and distinct voice. Francie is an elegant portrayal of a mother without a (second) child. And Ellender avoids any cliches or over-explored ideas that could so easily have been relied on. Exposition is handled expertly through echoes rather than visual flashbacks. A device that tells us just enough, while letting us be present with the consequences.
This haunting depiction of loss completely envelopes us from the start. With a clarity and confidence that doesn’t seek to trick us or pull the rug from under us. Ellender allows us to experience every note along with Francie. The perfect synergy of the sound design, music and editorial pacing conjure a feeling of being stuck in a moment. While the world carries on around us. Something we share with Francie, as we live in her head with her.
This is also achieved through beautiful cinematography. An excellent example of how the camera manipulates our attention. We rarely see the husband and child in focus, as Francie too ignores her daughter’s cries for attention. Again forcing us to live through Francie’s memories alongside her.
Aimee Cassettari’s subtle performance evokes such empathy. We have no option than to feel her pain. Francie appears to be letting go at the end, but we are left wondering just how far she will go to try and release some of her pain.
Francie is a beautiful film in every way. A superb example of a delicate topic treated with sensitivity, care and respect.
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