Author: Nadia Kuligowski
Humanist Vampire Seeking Consenting Suicidal Person – a Taste of Bloodletting
Is there a journalistically appropriate way to say I love this film and it was very sweet of Ariane Louis-Seize to make it for me?…
Morvern Callar: a Suicide Note, a Sellout and a Spanish All-Inclusive
Opening your movie with a tableau-like scene of the titular character (Samantha Morton) awaking in the embrace of her dead boyfriend, only to have her…
Femme Filmmakers Festival Review: Fifty-Four Days (Cat White, Phoebe Torrance)
Fifty-Four Days is a short film co-directed by Phoebe Torrance and Cat White (who also wrote the script). Coincidentally, this is the second film in…
Femme Filmmakers Festival Review: Happy Snaps (Tyro Heath)
Happy Snaps is a short submitted by Tyro Heath, funded by the BFI network. The film follows two young boys, Gabriel (Osian Pirotte) and Sami…
Femme Filmmakers Festival Review: Fleeting (Louisa Connolly-Burnham)
Fleeting is the short film directed by award-winning Louisa Connolly-Burnham. It is a moving short on the tension surrounding the Repeal the Eighth movement in…
Trouble Every Day: the Space Between Kiss and Bite
The first time I watched Claire Denis’ Trouble Every Day, I hadn’t read its synopsis. It was a film I’d sought out entirely based on…
Femme Filmmakers Festival Review: Distance (Jennifer Williams)
I did a bit of investigative journalism whilst rewatching the short film Distance (perhaps on the verge of internet stalking?). Anyway, I discovered that Distance…
Femme Filmmakers Festival Review: Le Bonheur (Agnes Varda) – a Floral Horror Film
The film is titled Le Bonheur or ‘Happiness’ in translation, and it’s filled with exactly that. In fact, as far as I recall, there’s only…
Femme Filmmakers Festival Review: When Winter Comes (Yuan Yuan)
Shot in New York and funded by the Spike Lee Fund When Winter Comes was directed by Chinese filmmaker Yuan Yuan. It is a film…
10th Femme Filmmakers Festival Review: Why Does ‘Past Lives’ Feel like That?
It’s hard to believe Past Lives is Celine Song’s debut film, but here we are. Before watching, I decided to revisit some of the initial…




















